Travel is Hell

I'm typing this during my final flight from LAX to JFK.  There's no in-flight entertainment (there technically is, but it's some old movie on a tube TV overhead), but I finally had a stroke of luck.  The person in front of me did not recline her seat, so I can actually fit my computer on the food tray!  Time for a bit of blogging and some work on book number two.

It's been a long trip, both the the overall adventure and this latest chain of airplane flights.  I'm quite ready to settle back down into constant work mode, which, I think, is part of the point of a vacation.  right now, though, I'm mostly looking forward to taking a shower, using some actual high speed internet, and then dropping myself off in bed. 

I still have one more component of my trip to look forward to, though: developing my film, which I have studiously protected from nearly 10 airport x-ray machines!

 

With the Wind Behind Me

I spent my last couple of days "in" Nelson, which is alleged to house the biggest art community in New Zealand.  I didn't get to test that, though, because I stayed about 40 minutes away, closer to a town called Motueka.  And I was actually a ten minute drive from that town as well.  

The Wairepo House--probably the most eccentric place I stayed--housed me for three nights.  Run by a husband and wife (X and Richard) who also manage a fairly sizable apple-picking operation, the house is large and twisted, with multiple additions being tacked onto the original structure over the past 40 or so years.  It's a country home, not contemporary in any way, with what I'd probably call a rustic charm (if you find rustic houses charming).  On the first night, my room had a little balcony overlooking some of the gardens surrounding the house.  There's a little pond, a mini hedge maze (only about knee height, so you'd have to be a toddler or small animal to get lost in it), and an oversized outdoor chess set.  The second two nights, I stayed in a suite downstairs opening directly out onto the lawn.  My only two complaints about the house itself was the mildew (plainly evident behind all of the mirrors in my bedroom and who knows where else) and the slow internet (which forced me to seek out a web cafe when I needed to get some work done).

X is a fast talking woman, able to spit out a sentence in no time flat.  Her husband Richard seemed a fairly straightforward individual with a good appreciation of the simple pleasures in life.  Each were lovely hosts, and they took time to chat despite being so busy.

For my final New Zealand adventure, I embarked upon a sea kayaking trip in the Abel Tasman sea, which was quite a bit of fun.  I just brought a waterproof disposable film camera, so I'll need to wait for that to get processed before I see if I took any worthwhile pictures (I'll tell you right now that I did not).  We kayaked in and out of bays along the coast before stopping for lunch along a sandy beach where I opted to go for a swim.  The water was quite cold but not terrible, and I got to experience the pull of the New Zealand tides firsthand.

Boy, does New Zealand have tides!  In many places, the water will rise and fall around 15 feet between low and high tides.  Miles upon countless square miles will become bone dry at low tide, only to have water rush forth in a frothing torrent as the tide moves inland.  Islands accessible by foot become inaccessible moments later, and the entire landscape seems to shift around you.  It's really quite something to behold.

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To return to where we started our kayaking journey, we sailed with the Tasman Sea's easterly afternoon wind.  But we weren't in a sailboat.  There were eight of us in total, each in a double kayak, plus one more kayak for our guide.  We "rafted" together by grasping tightly onto one another's kayaks.  A sail was tied to two paddles, and the bottom of the sail was held onto via rope by one person in the front left and one person in the front right.  I got stuck with the toughest job, because I was the only one responsible for hanging onto the sail and a kayak on each side.  I still have the mark on my hand from where the rope was pulling against my skin.  Our sail worked perfectly, though, and we were back in no time at all.  

After an hour walk to where the boat would pick us up, I met up with some "old friends" on the beach--some interesting folks I ran into earlier in the trip and happened across again that day (they recognized me, of course, since you all know I do not look at other people whilst walking around).  All in all, it was a really nice day, though definitely not the most photogenic.

 

To Grandmother's House We Go!

​I went on my last long drive in New Zealand today, and it didn't disappoint.  I find it continually astonishing how the landscape can completely change several times over the course of a four hour drive.  What began as a winding road along the sea turned suddenly into a trip through bone-dry hills.  Then, the land flattened out into lush farmland before changing once more into a verdant coastal forest.  Finally, it flattened once more (relatively) as I neared Nelson.  

Yesterday, scattered clouds created wonderful shadows across the landscape, but today, the clouds were high up.  The sun effectively shone through a diffuser, so the landscape seemed to flatten out.  Only when the clouds thinned a bit against cerulean blue sky did I manage to snap a few good shots.  

I'm typing this now from quite the quirky bed and breakfast.  I think this house has seen its best days already, and my room makes me think of grandmothers.  It'll do, however, for my last couple of days in New Zealand.

 

Do you want to Live in Candyland?

A photographer (and the owner of the lodge at which I am staying) by the name of Neil showed me around Kaikoura today in what was ostensibly a photography workshop.  While I hope to continue to become a better photographer over the course of my life, there is little about the technical side of photography that I do not understand, so the workshop was more of a tour.  Neil took me to places I'd never have found myself, only being here for a day.

Neil sells his photos, which you can see on his site http://imagesabound.com/.  His images are very saturated with color, and many of the recent photographs are HDR, which means that he took multiple exposures and combined them into one shot.  I think this makes things look "cool," but for the past few years, I've shied away from the technique simply because it (usually) wildly misrepresents what the scene actually looked like.  I've been into a more natural representation of a scene, though I think the population at large would find such an image more dull than one that exaggerates the beauty of a landscape.

Anyway, I've processed a couple images I took today in the way I would choose and then again in the way I'd imagine Neil would handle them.  I've included one for direct comparison in this post.  To get the Candyland version, I did several things to the shot: 

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1) I nudged the overall color contrast up a bit, so that the image gained some more distance between lights and darks.  

2) Then I reigned in the highlights, so that they regained a bit more detail.

3) The shadows received a bump in brightness, revealing more detail in the darker portions of the image.

4) Next, I dove into the specific colors.  I increased the luminance and saturation of green and teal, and I just increased the saturation of the yellows.  

5) Finally, I applied a bit of overall sharpening to give it that extra pop and to cut through the haze that was present when I viewed the scene with my naked eye.

(Note: you can see both images in the "February 23rd" "New Zealand Photos" gallery.)​

I can see why another's initial reaction would favor the more vibrant image, but I just can't make myself like it more.  I see more beauty in the subtle color variations that I do the obvious ones.

P.S. On a completely unrelated note, we got pulled over by the cops today for speeding (using up the final remaining points on Neil's license, apparently), and as it turns out, New Zealand cops are very polite.